This
unit is aimed at helping the writer select metaphors that work well
together, preventing the common problem of "mixed metaphors".
A sentence can contain any number of metaphors, provided that the original
subject is not lost along the way (remember at all times that as an equation,
an effective metaphor needs to be complete and equal on both "sides").
In order to produce a seamless statement, one is best to match up various parts
of speech, such as noun and verbs. This is perhaps the greatest testing grounds
for ones application of dead metaphors*, as we so often use them without
recognition. By pairing a living metaphor** with a dead metaphor, we
resurrect the dead metaphor (presumably creating a zombie metaphor), and move closer to building complete metaphor
templates, which in turn may be translated whole into any language or
science. [More on Living
and Dead Metaphors]
The left column is a
descriptive line based on the plain wrapper statement: "The Sci-Phi Pilot
is an e-book containing a variety of sciences that are associated with each
other using the metaphor". Simply substitute the words after
"The Sci-Phi Pilot is an e-book containing..." with each line in the
left column. Each line contains two underlined words, a collection
followed by a collector***.
The right column is an example of the realm in which the metaphor pair might
best work, and the effect that the specific pairing may have on the reader. The
more time you spend examining and expanding these statements, the more you will
get out of this page.
Try replacing either of the two words from the left column with synonyms from
related fields to see how this effects the resulting feel of the pairing. For
example, replace "glued" with "bound" or "adhered"
in the first statement.
Metaphor
Pairing
Realm/Effect
A mosaic of sciences glued together by the
metaphor.
Art: An ironic
sense of the sophisticated and crude in wedlock.
A stew of sciences cooked together by the
metaphor.
Food: A plain,
subtle but earthy sense of movement.
A hodgepodge of sciences blended together by the metaphor.
Visual: An awkward, chaotic and moving sense.
A symphony
of sciences brought into harmony by the metaphor.
Music: A auditory sense of pleasing flow, clarity and co-operation.
A soup of sciences stirred together by the
metaphor.
Food: As
with stew, a plain, subtle but earthy sense of movement.
A troupe of sciences choreographed by the
metaphor.
Dance: An organized
sense of movement, flow and rhythm.
A cacophony of sciences harmonized by the
metaphor.
Music: A self deprecating sense of
controlled chaos.
A flock of sciences herded by the
metaphor.
Farming: A sense of free movement brought into dynamic control.
A gathering of sciences hosted by the
metaphor.
Social: A sense of willing participation in a group atmosphere.
A salad of sciences tossed by the
metaphor.
Food: A fun, self deprecating sense of randomness.
A dryer-load of sciences tumbled together by the
metaphor.
Household: A ludicrously expressed sense of randomness.
A clockwork of sciences synchronized by the
metaphor.
Time: A sense of clean, precise mechanical order.
A spectrum of sciences focused by the
metaphor.
Visual: A vivid sense of color and control. (compare: rainbow)
A tour through the sciences guided by the
metaphor.
Tourism: A sense
of transient non-committal interest.
A basket of sciences woven by the
metaphor.
Farming: A sense of crafty complexity from simple roots.
A bushel of sciences gathered by the
metaphor.
Farming: A sense of harvesting ideas; earthy and tangible.
A symphony of sciences conducted by the
metaphor.
Music: A sense of controlled
flow and yielding unity.
A blend of sciences sifted together by the
metaphor.
Cooking: A sense of
movement and fine integration.
A cocktail of sciences shaken (not stirred!) together by the
metaphor.
Cooking: An indelicate forcing together of elements.
A quilt of sciences stitched together by the
metaphor.
Household: A timeless,
patient sense of craftwork.
*[dead metaphor: a metaphor which has been incorporated into the host
language, and is treated as any other word]
example: I gather you understand this concept. The definition of
gather - to physically grasp and collect -
has evolved to include
"to mentally grasp...". Compare this to "fog", below.
**[living metaphor: a metaphor which is still treated as such]
example: My head is in a fog here... The definition of
"fog" still revolves around a physical form of "mist", but
the metaphor involves an inability to mentally "see".
***[technically: a
collective
noun (often of questionable reputation!) and a past
participle (of unscrupulous craftsmanship!)]
This website
is dedicated to the proposal that the metaphorical relationships drawn
between any two disciplines are, in fact, universal, being
isomorphic mathematical derivations of the Unified Field Theory. Further, that this symmetric
aspect of
metaphor is extrapolatable both linearly and laterally, thus may be harnessed to mathematically
predict missing knowledge
and invention in all
other disciplines: an interdisciplinary Rosetta stone of
universal scope.
"The
metaphor reminds us that the universe is full of cousins." -
J.D. Casnig
Copyright John D. Casnig. Permitted
use only. Work should be cited as:
Casnig, John D. 1997-2008. A
Language of Metaphors. Kingston, Ontario, Canada: Knowgramming.com